click logo to return to home page

THE VOICE IN OUR HEADS

By the fall of 1980, PromoSpeak had become the mother tongue of the entertainment advertising industry. Major components of this jargon included random promo copy outtakes, earworm soundbites, and arcane TV production terms like MOS, butt edit and flash frame.

PromoSpeak was characterized by a riffing style of delivery that often strikes non-speakers as compulsive -- possibly involuntary -- vocalization. Borderline Tourette’s, even, when drugs and alcohol were involved, which was frequently the case. 

While its origins are impossible to date, a recent linguistic study pinpoints Hollywood at the dawn of the 1980's as the epicenter of the Golden Age of PromoSpeak.

There were at that time perhaps three or four dozen of us Big Three Network on-air promo writer/producers working out here. Ours was a tiny but hardcore tribe of native PromoSpeakers.
 

Quick and dirty. Shoot from the lip. In our little L.A. back alley of the advertising world, it paid to have that West Coast PromoSpeak right there on the tip of your tongue and ready to roll.

Especially if you were heading into audio post to room produce a voiceover session with Artie Abbott,  Hollywood's Pope of PromoSpeak.


Vimeo password:  ARTIE (all caps).

Artie is a fictional Left Coast Promo character based on our own legendary Ernie Anderson. He's our tribute to the Master. Ernie was the Voice of ABC in the 1970s & '80's; and all these decades later he’s still the Voice in Our Heads.

LATE NIGHT MOVIE: THE FLIM FLAM MAN

Ernie A. read this spot "to picture" for me, "T to B", in one take; then he slid my script back across the audio console without a word. Without his peerless groan of dismay, or a low growl of "who wrote this shit?". With no  "G.O.T.F.B." scrawled across the top of the script -- his signature acronym for "get out of the fucking business". His photo in the previous post is a pretty close approximation of the look he gave me instead. Which is precisely the look I deserved for writing him this thirty-second gem of a duet with George C. Fucking Scott. It was definitely the highlight of my rookie year in promo; and little did I know -- but probably should have suspected -- that it would prove to be the only one-take read I'd ever get from him in over a decade of subsequent voiceover sessions, the two of us working elbow to elbow --  because Ernie A. was reportedly the first, and for a long time the only major Hollywood voiceover talent to eschew working in the designated announcer's isolation booth. Because in his estimation only hacks worked in the booth. If you bought what he considered to be an inferior read he'd bust your chops with "you just bought yourself a 'booth announce'".   



NEWS X 2: THE MORMANS + ESSAY ON DRUGS

Following THE MORMONS, keep rolling into ESSAY ON DRUGS, which won a Silver Award at the International Film & TV Festival of New York 1982 (Parental Discretion Advised)